Locavorism, or, how to be totally self-centered about your town.

Posted in Life, writers and writing with tags , , , , , on March 10, 2009 by erebusetnox

There’s a discussion over at litpark right now, about independent booksellers.  Ann Kingman, who works in the publishing industry, shared with us the news that, when you buy from a local seller, you keep 68 out of 100 dollars in your community. If you head to a chain, only 43 dollars hang around in your community. I, like so many others out there right now, had been thinking about what saves the most money at a time like this. Probably for most of us, the thought that pops into mind is the local public library. If you can donate, become a friend of the library, or volunteer, you’re helping the local economy in more subtle ways. It’s an important thing to do.

Of equal or even greater importance are our local resources, our local stores, the small business owners who are facing into very tough times right now. You’re not just helping them by buying from the “mom & pop” place down the road, you’re helping yourself and your neighbors. You’re helping to keep the fabric of a town tightly knit.

And, when you involve your family and yourself in these locally-owned businesses, you get to know your neighbors, and you build, especially for your kids, a new generation of the community.

My father’s father was one of those local owners. He and his father ran a general mechanic and repair shop, fixing cars, washing machines, small appliances, ice boxes, and later, televisions. They also sold many small appliances. My grandfather managed to keep the shop open until he retired, back in 1992. I doubt he could have kept it going much longer, as his work was taken over by large repair chains, and the huge department stores starting carrying small appliances along with warranties (let’s face it, though, most of us probably toss a broken appliance in the trash, gleefully thinking of the new thing to replace it with).

Now, in the town we chose to settle down in, I’m still finding little hidden treasures, even in such a small town as ours. We have a used book store, an independent seller, antiques dealers, a craft store, several locally owned eateries, a French Bakery, apiaries, organic growers, a nursery, in other words, quite a lot.  It’s not always easy to talk ourselves into doing a grand tour around town to procure items we would normally get in one big, overcommercialized place. But I think it’s worth it, regardless of how much you might end up spending. Give it a try and see what you can learn.

www.indiebound.com
www.abebooks.com
www.ctgrown.com
www.newenglandgrown.com
www.theconnecticutstore.com

It’s just a start. You may be able to wiki your town, or start a page for it, if you’re motivated enough. Our next trick? Biking to all that our town has to offer….

I tend not to title my poems

Posted in Life, writers and writing with tags , , , , on February 25, 2009 by erebusetnox

Whispers and confessions sigh forth

falling from pretty mouths

giving wing to air

and falsified reticence

allows the ear to escape unscathed

while nervous fingers

pinch and count loose ends

empty days have become the prison

neglected hearts the vile guardsman

because silly fantasies

have long since reduced

to dun-colored ash

and reality flourishes a cruel hand

down at soft laps

girded by lazy wealth

never has the sun set on a day

without the internal recognition

of a wasteland

which births a monstrous hatred

gleaming, wicked arrows

from pale hands

powdered throats

drooping earlobes

all in worthless brilliance

9/12/97

stop the damn editing!!!

Posted in Life, writers and writing with tags , , , , , , , , , , , on February 18, 2009 by erebusetnox

My imaginary drill sergeant tells me this when I go back to reread, and begin to obsess over the wordsmithing. I have to force myself to remember that it’s more important to finish the deal before going back over it with a fine-tooth comb.

Earlier this year, I took my finished book to webook, and entered it into a voting cycle. This book took me roughly a decade to finish, primarily because it took me that long to figure out the lesson I state above. I’d get caught up in “fixing” things, and like someone trying to pull gum from hair, rather than removing it smartly, I’d get stuck. And then I’d forget what I’d done here or there, was it all in agreement, what was I saying, aw, crap. That would be the moment when I’d toss it aside in disgust, and leave it sleeping for months, while I got caught up in other things. I can safely say that I have now reached a point where I can no longer even look at it, much less edit it.

However, enter it I did, and then summoned all my friends and relatives to help by voting. What I didn’t understand from the rules was that it relied on how highly it was rated, rather, I was assuming that numbers of votes mattered. I sent out a mass email, asking for everyone to take a look, and please drop a vote if they liked it. I sent the same mass email to everyone who had friended me on webook. If you like it, vote for me.

As the cycle neared its end, I figured I didn’t stand a chance, since many others had more votes than me. Unending surprise was my reward the next morning, when I found that I had won the initial vote, because it had been rated most highly. The comments were all positive.

However, after a 2 week stretch of judging, I finally extracted a reason why I didn’t make the final cut. The damn thing needed, according to the webook judging staff, extensive editing. D’oh!!!!!!

I think I need not say that I have thus gone and put it away, like a childish thing, until I can go back to it during a time of greater maturity and greater success. I am now all about finishing a bunch of things, as fast as I can manage, so that I can begin to carpet bomb agents with queries for other things (I need help with the query process, but that’s a different story).

I have also decided to reroute my usual storytelling process, to build up a collection of short stories. I’d like to enter one of these literary contests, and see where that takes me.

Obviously it’s necessary to edit. It’s vital. But it’s dangerous, and can put you in the water trap when you’re moving smoothly through the back nine or whatever it’s called. My shorts…um, yes, will need plenty of editing, I can imagine, because it’s not what I usually tend toward. I have a lot of trouble keeping it short, because I start envisioning entire worlds, or back stories for everything. I think I can do it…we’ll see. I write poetry, so probably I can manage this.

I’d be curious to know how many others out there have come to this editing theory that I have, or whether others prefer to do simultaneous editing.

where goes the neighborhood?

Posted in Life, writers and writing with tags , , , , , , on February 16, 2009 by erebusetnox

My parents have lived in their current house for nearly sixteen years now. Only in the past year or so have they branched out and begun to get to know their neighbors. Some of this just speaks to my parents’ social tendencies. They were never into hosting, most of our family activities involved just the family, and they rarely went out. I never really focused on the impact that this has had on me until my husband and I bought our first home, and began to look around at our neighbors.

It took a year to meet the neighbors across the street, which was a shame; we’re friends now, and were pregnant at the same time (our sons are a month apart in age). When the new house went up next door, it took less time to meet the young couple that eventually bought the house. Our neighbors on the other side are…I’m searching for the proper (and kind) description…they’re a little odd. They’re notorious in town, actually. The matriarch is a eighty-something widowed mother of eleven. I think they’re, um, good-hearted, but it’s hard to tell when they’re bellowing at each other in strongly colored language. She’s usually hollering at her son about her flower beds, but I’ll never forget the day that she went flapping down the street to yell at the guys cutting down a giant old tree to build the new house. It had, apparently, been there from time immemorial (I would judge that it had been several hundred years of age), and she was really mad that they were hacking it down. I was too, but I didn’t go running to register my feelings while still in a nightdress. She’s fairly toothless as well, so in all, it presented an image that is indelible. “What the hell are ya’ doin’?!?!?” I can do a pretty fair imitation of her, but in all kindness, I only do it for my husband when he’s feeling depressed.

What I’ve noticed, now that we’ve been here for just about four years, is how hard it is to meet one’s neighbors these days. It’s easy to sit back and observe, but difficult to cross the road and say hi. Current research suggests that I can blame my genetics for the fact that I tend to be quite shy, but I feel that I could overcome this if only I had a little help. Beat down the coding that makes me clam up, if you know what I’m saying. Something tells me, however, that my shrinking violet disposition isn’t the only thing keeping our neighborhood from being a community. We do live on a long (looooong) street, but that shouldn’t be a total barrier. And sure, there are a few freaky or unappetizing houses. We’ve got a guy who wanders down the road, booze in hand, to the grocery store that adjoins a bottle shop. There’s the neighbors who have fostered kids, whose occupants and guests have been observed shooting up. Overall, though, everyone seems pretty normal. We’ve got a couple small farms left on the street, lots of dogs and other animals (I could do a whole blog on the semi-feral cats), and lots of us who walk or run on the roadway. You’d think that we could eventually get to know each other.

Unfortunately, I think that most people are still stuck in a “keep to yourself” mentality. Not just here, but everywhere. We don’t trust anyone anymore. Some of that has definite and understandable roots. We’ve had a gradual loss of innocence in our society, and it always seems to get worse, every time we watch the evening news. We’ve had a total loss, at least in larger towns and cities, of that sense of community, of being able to look to each other for help and support.

Look at M. Night Shyamalan’s The Village. I don’t endorse the extremes that these characters go to in order to restore that sense of community, obviously. But I do, I don’t know, daydream, I suppose, about being able to have several hundred acres, and people living there who want to be there together, like a village. No, not a commune, not in that hippie sense. I’m talking about getting back to basics of humanity, more than living purely off the earth.

I’m an at-home mom. The friend across the street is as well. Isolation is probably the most common feeling that gets shared with any at-home parent. It’s disheartening. I actually do believe that it impacts my writing and creativity when I have so little human contact. The internet, in its infinite design, allows for virtual community, but it’s hardly a substitute for talking to another actual person. When I get together with someone, or when my husband gets home, I find myself yammering, because I’ve been talking only to a 3 year-old and my now-7 autistic child.

Sometimes I consider starting a group, whether it be for writers, or parents with college degrees who find themselves at home, not using said degree for anything but wall decoration. Actually, mine is in the attic, because I don’t know where to put it up.

How do we find this? I hear tales of friends and neighbors who get together regularly, who share lots of things together…but it’s often in small neighborhoods (even if they’re in larger cities). How do you find it, or do you think you even care? My husband, for instance, doesn’t really feel he needs much human contact after a long day at work, but I notice that he not only gets into the socializing, but often ends up ringleading the conversations. While he believes that he doesn’t desire it, my husband is a social animal, and tends to be a charismatic leader. He’s a bit of a Tom Sawyer, really, but he can’t get his head around how I have a hard time doing the same thing, or that I actually want to be around people.

There are downsides, I’m sure, to all that togetherness. I’m betting that the benefits outweigh them, however.

what we bring to the table

Posted in writers and writing with tags , , , , , , , , , on February 10, 2009 by erebusetnox

Genre books get a bad rap. Series like Harry Potter and Twilight get sneered at in the way that summer blockbusters get sneered at by art film aficionados. Occasionally, we get something that crosses the divide, something like Pan’s Labyrinth. Guillermo del Toro would be a great writer, I think. With Pan’s Labyrinth, he created something fantasical, bleak, and beautiful, all at the same time. Like The Fountain, when I watched these movies, even when I wanted to look away, I really couldn’t. Specifically in P.L., I sort of had to force myself to watch a scene where the sadistic facist captain beats a man to death with a bottle. In his commentary, del Toro points to this as a scene that he sought to make hard-to-take, to the point of revulsion. For the viewer, it’s important, because it’s too easy to forget how terrible a place Franco’s Spain actually was.

When I hunt out new books and new authors, I’m in search of a few criteria. And yes, I do haunt the “genre” aisles. Why? Because some of these authors are no less talented than the ones we find in the “literature” stacks, and because I like a good yarn. Plus, they’re excellent as primers of how to present one’s own story structure. I’ve learned reams simply from reading closely, by taking note of how things play out, and in savoring their language, like flakes of rich chocolate.

I am partial to mysteries, and to historical settings, as well as young adult fantasy. Yes, I do enjoy escapism. Occasionally, I can be drawn out by complex novels, like Peter Hoeg’s Smilla’s Sense of Snow, which is far more detailed and full of the heroine’s flaws than the movie (though I did enjoy that as well). My husband gave me Amy Bloom’s Away for my last birthday, while wringing his hands that he’d had “no idea” what to pick me for books. In face, I had tried to direct him, but finally said not to bother getting me any of my usual authors; it would be too hard for him, so I told him to find me something he liked the sounds of. Now, that could have taken me to another genre entirely…but he behaved himself and got me something that I might not normally have chosen, but Bloom’s tale was captivating, and I was glad he’d picked it.

As I said, though, I tend to hunt out particular authors, and stray only when their writing can’t keep up with my reading pace. My mother and I both enjoy Ellis Peters, for example, my mother reading the Cadfael series, I, the Inspector Felse ones. We both love her for the elaborate detail she pays to creating the surroundings of her characters.
Further into mysteries…I love Sharyn McCrumb. She’s probably my favorite, even though she’s been straying off into writing about car racing lately. Her series is set in section of the Blue Ridge Mountains which straddle North Carolina and Tennessee. For McCrumb, the mountains are setting enough, but it’s her characters who really create this world. If you want to be haunted by what you read, try her Ghost Riders or The Ballad of Frankie Silver. It’ll be a long time before those stories leave you.
I also really enjoy Dorothy Sayers and her disaffected nobleman, Lord Peter Wimsey. It’s easy to dismiss the books because of the name of the lead; Wimsey is anything but whimsical. It surprised me as much as anything else to realize that he was written as a veteran of the Great War (WWI to those of you unfamiliar with that term), who came out of it with shell shock. His valet, Bunting, was bis batman (just a military term for a soldier-servant during this time of war) on the Western Front. Bunting often finds himself caring for Wimsey during his flashbacks and nightmares. Wimsey’s conflicted relationship with his inamorata, Harriet Vane, provides some heavy tension to these murder mysteries as well.
Elizabeth George picked up where Sayers left off (in the 1920’s), and brought the nobleman, this time Thomas Lynley, into the present day. Lynley is a Scotland Yard copper, eschewing his noblesse oblige for the flatfooted detective’s life. Like Wimsey, he’s got a girl he adores, one who could pretty well take him or leave him. For George’s world, she’s added plenty of other protagonists, lots of timely storytelling, and shattering honesty.

The point of all of this gushing, other than to bear out the idea that genre isn’t and shouldn’t be the defining factor of an author and his or her work, is that there are hidden gems in “those” sections of the library or bookstore. You know, the ones that you’re a little embarrassed to be seen in. No, not that section! The ones marked Young Adult, Science Fiction, Mystery, that sort of thing. Go there. Here’s a list to get you started:

Young Adult:
Edith Patou, East
Philip Pullman, His Dark Materials trilogy or the Sally Lockhart series
Cornelia Funke, Inkheart
Angie Sage, Magyk
Patricia Wrede & Caroline Stevermer, the Sorcery & Cecelia series
Madeleine L’Engle, The Tesseract series
Neil Gaiman, Coraline, Stardust, & the Graveyard Book

Sci Fi & Fantasy:
Sheri S. Tepper, The Gate to Women’s Country
E.R. Eddison, The Worm Ouroboros
J.R.R. Tolkein, Lord of the Rings
Neil Gaiman, Neverwhere & Good Omens (with Terry Pratchett)
Ray Bradbury, Fahrenheit 451

Mystery:
Laurie R. King, the Mary Russell series, or the Kate Martinelli series
Dorothy Sayers, Whose Body? is the first published Wimsey mystery
Sharyn McCrumb, the Ballad series
Steven Saylor, Roma Sub Rosa series with Gordianus the Finder
Sharan Newman, the Catherine LeVendeur series
Martha Grimes,  the Richard Jury  series
Janet Gleeson, The Thief Taker

All these authors are ones I am really attached to, in terms of reading, and taking something significant away from what they’ve written. I think they’re all fabulous. They’re old friends who constantly surprise me, and who teach me something new every time I read them.

kidlit and my grandma

Posted in Uncategorized on February 6, 2009 by erebusetnox

First off, I have to say that I’m so glad that my mother replaced my broken crockpot for Christmas. I had forgotten how liberating it can be to have dinner burbling away in one pot. It can do almost anything, and you don’t have to be a genius to use it, either.

Over at litpark.com, Susan is asking what we all read as kids, and what we loved about it all. I have so many treasured books, I was threatening to run off the comment space, so I left it short, and decided to take it up here.

When we were kids, my mother would tell us each day that we had to have some “quiet time”. There were four of us, and I shared a room with my sister after our little brother came along. So she and I would troup off to our room, with its pink rose wallpaper (another story, but my sister hates pink to this day – I’m slowly adding tiny bits of it back to my life), where we’d grab a big stack of books, and plop on our beds. The rule about quiet time was only that we had to be in our rooms, preferably on our beds, being quiet. My mother hoped that this would lead to a nap, if needed.  Now that I’m a mom, I understand her other motive: she needed the quiet, and took that time to read and have a cup of tea or something.

It was during these times that I would be poring through the books that became my lifelong favorites. Blueberries for Sal, We Were Tired of Living In A House, Kingcup Cottage, Mr. Pine’s Mixed Up Signs, and other frivolous books from pop culture. Berenstain Bears, Babar, Curious George, Madeleine, Winnie the Pooh, and Paddington were ones that the three of us younger siblings shared back and forth. My father’s old favorite, Bartholomew and the Oobleck was sometimes pirated upstairs, where we’d giggle over it. My mother’s collection went back even further in time with A Journey to Health Land and a (we’d later find out) first edition copy of Rabbit Hill. We also had Thornton Burgess’ animal series and Beatrix Potter’s as well.

As far back as I can recall, what always captivated me was a good story intermingled with really intriguing artwork. Think about it. You may recall bits and pieces of the exact words from your old favorites, but if you close your eyes, you can probably picture the artwork, like you can recall your childhood home.

As I got older, I got into Ramona Quimby, Little House on the Prairie, the Anastasia Krumpnik series, Anne of Green Gables, and Little Women. I never really read Lloyd Alexander’s Black Cauldron series, but shifted over to his Vesper Holly series, once I found that she was a junior female Indiana Jones. My little brother used to have me read him Vesper Holly’s adventures, replete with funny voices for all the characters.

We were a reading family. 
For road trips, my mother used to transfer readings on vinyl to audiocassette for us when we’d our biannual trip out to Montana. Later, she would read us the Hobbit every day of our trip.
At school, I used to get busted, all the time, for having books secreted away in my desk or tucked into my textbooks.
At home, my parents had books crammed into every space that seemed meant for the purpose.
I wasn’t so formal. My “pending” stack was always teetering near my bed, flashlight tucked under the mattress, where it wouldn’t be confiscated

My father’s parents are avid readers as well. I got my Anne of Green Gable collection from my father’s mother. His sister, my godmother, passed along her (and my grandmother’s) vintage Nancy Drew collection to me as well. My sister got the Thornton Burgess set.

When we would be visiting my mother’s parents in Montana, they too had oodles of books I’d never seen. My grandmother was an old-fashioned school marm, and while my grandfather hadn’t graduated high school, he too read endlessly. It was there that I discovered old gems, Don Sturdy, Bobs (a girl detective), and Jane Withers. I also found The Wolves of Willoughby Chase, and had the same reaction to it that my mother had as girl. I was terrified and thrilled by it.

I did say that this was about my grandmother, though. My mother’s mother. She’s going to be ninety this March. She lost her eyesight to diabetes about fifteen years ago; it was huge blow to her not to be able to wander from room to room anymore, when she’d have a book in every one. Beyond the reading, though, she was a visual artist as well. My mother said she used to paint, but knowing my grandmother as I do, she probably tossed out her work the way she did with other revealing glimpses into her life. By the time we grandchildren came into her life, she had migrated into tailoring for dolls. She made a down-to-the-last-detail replica of my aunt’s wedding dress and hat for a doll; the doll resides in a glass case, where anyone can compare it to the photo on the wall.

She was also the school teacher, who deplored bad grammar, and parents who used baby talk to their children. When my grandfather was talking to my mother in such a fashion, she quipped to him, “Don, she can speak English, why can’t you?”

As I’ve said, I came late to my writing, but I’d been drawing and loving art from toddlerhood. By the time she woke up and realized that I was writing stories, and not just entertaining letters to her, she’d decided that my destiny was to become a children’s writer. It was unfailing that every letter in reply, every phone call, was littered with her urgings to just write a book like that, and illustrate it myself. I never knew how to tell her that I didn’t believe in my artistic talent enough to do it. I’m a competent copyist, but am overwhelmed by frustration because I never took the time to take drawing classes. I don’t know any fundamentals.

I decided to focus just on the writing, and not for kids, despite how much I love that type of book. Now that my grandmother is at the age she’s at, widowed, in assisted living, and, unfortunately, succumbing to mild dementia, I find myself wanting to take those art classes I never had time for. I’m not yet sure what it would look like, but I would like to finally produce what she has long desired me to. And I know just what the dedication will say.

Once upon a time in…

Posted in writers and writing with tags , , , , , , on February 3, 2009 by erebusetnox

India, outer space, New York City in 1923, the center of the earth. Or wherever. Picking a setting for a story is probably the easiest part of creating a story, even when we change our minds, pack everyone up, crate and barrel, and move them all to somewhere new. I’ve never had to move anyone, except in small measures, like from under a tree to out beneath the open sky. It’s a bit like sticking your hand in a diorama to move the lego foliage from one part of the playdoh grass to another. Once I decide on the basic locale, I try to stick with it, unless there is a huge obstacle. An example of one? Hmmm, probably it would be that I picked someplace without really knowing what the area was like, researched it, and realized how infeasible it would be to put the story in that place. Like I said, hasn’t really happened. I tend to pick a spot and let the story grow in it, like a carefully tended seedling.

I have one growing in India right now. It started off as a larkish story, something I thought I’d let go into the bodice-ripper territory, but it took on a bigger life, and outgrew that pot. I’m kind of hung up on where to take the plot, but the backdrop, the characters, they don’t belong anywhere but where they are. Once I do a bit more research into this particular timeframe in India, probably the proper plot device will settle in. It’s still going to be a bit of a romantic tale, maybe more toward the gothic type. In thinking back to what made me decide on this particular setting, I think it was simply the paradoxical nature of places like that, that India in the 19th century was a landscape of wealth and poverty, beauty and desolation.  I wanted a setting where a sovereign nation was blindly stumbling about, trying to impose its will on the rest of the world. Oh, I know, Britain is “ageless”, “ancient”, and all that baloney. The empire was not ancient, however. And arrogance isn’t an exclusive club. What happens on the human level is where the story lies, obviously. And sometimes, you have to explore the flaws with the beauty, and shape them into something visible, something that leaves a lasting impression, something that gives us a different window into our world than the one we’re living in.

Here’s an excerpt of the story, I haven’t done much editing, etc. with it in a while. It may look vastly different as a finished product:

McKenzie fell into his boyhood habit of stealth, as on the heaths, while he drew closer to the nearby village. He wished to ascertain as quickly as possible what a local girl had been doing inside the camp perimeter, hopefully before she reached the protective folds of her family dwelling. He could see the fluttering sari several hundred meters ahead of him, its dark color nearly impossible to follow but for its movement. The woman was moving quite quickly, so he decided to run faster, a choice decidedly hampered by his full kit. Unbuttoning the heavy wool jacket he still wore, he picked out a sturdy looking tree as he moved, and heaved it into the lower branches, trying not to imagine Abington’s reaction as he did so.

Thus unencumbered, he moved far more swiftly, wearing only the white shirt and formal vest demanded by his rank. He was glad that he’d had his boots repaired recently as well. Only a fortnight before he would have been hobbled by their threadbare soles. McKenzie slid into the half-aware consciousness of exertion as he loped along, and so he remained until suddenly, the person running ahead of him vanished into the dark night. Cursing heavily, he came to a halt, and searched the landscape. The night air was still and thick, muffling most noises, as McKenzie crept along, muttering in Gaelic.

He came up on a thicket, large and impassable, and began to circumvent it when he found himself shoved to the ground. A slippered foot pressed against his throat, as he saw the wicked gleam of a large blade. It was the sari he’d been chasing. She had her face veiled with it, though she leaned in to hiss at him in Hindi.

What do you want, English?” He found himself ruffling at her assumption, though he refrained from responding to it, with the threat of the knife still at large.

I follow you to ask of you a thing to which I have no answer.” The kohled eyes narrowed in assessment. Then she spoke in English.

“You are not English. My apologies.” Her flawless accent sent a cold pit into McKenzie’s gut.

“And you, miss, are no Hindu. Eugenia Alderton, I presume?” Her eyebrow raised slightly, and she tucked the knife into a hidden place within the folds of the sari, sighing as she did.

“You have me. Might I ask you to be so kind as to tell me why you followed me?” She pulled the covering from her head as she spoke, revealing to him her face.

“Ah, yes. I’m afraid that I quite assumed you were a village girl.”

“Being taken advantage of by a redcoat, I suppose.”

“Yes, well, your, ah, father frowns upon that sort of thing.” Eugenia peered at him sharply.

“Not for the reason you might suppose, Major.”

“You know who I am?” He felt a surge of hope at this thought, though he knew not why.

the devilsome details

Posted in life in general, writers and writing with tags , , , on January 31, 2009 by erebusetnox

First, obviously, there are the details that a writer doesn’t really consider when an idea bubbles into mind. I’ve had quite a few story concepts occur to me, only to find myself trapped in the maze of the story, because I need to do research. I used to be able to do that quite simply: just go to a library, or spend all day digging around the internet. I say “used to”, because now I have kids. Have you ever tried to do anything at a library with a child under the age of five at your heels, or rather, you at theirs, as they run away from you? I should take advantage of the free time my husband allots me to go and accomplish it. But, as many other at-home parents can testify to, very often we go a little crazy with that taste of freedom. I often find myself shopping at Target, where I can’t seem to take my three year-old without him weeping through the whole store, trying to emotionally blackmail me into buying him a toy. Never mind that he’s never won; he’s more persistent than Ralph Nader. And while I’m aimlessly wandering the aisles, my eyes glazed over from the sheer joy of child-free shopping, somewhere in the back of my head, a tiny voice is asking whether this is really the best use of our time. I usually tell it to shut up. My husband would rather I go out and sip cocktails or coffees someplace, preferably dolled up, so that there’s something to make up for the fact that he’s the one stuck at home this time.

In between these excursions, I daydream about packing up the laptop for the next time, taking it with me to find someplace nice to hole up for a few hours, and just write. I keep forgetting the library. I should use it more often, since we paid that small fee to be “friends” of same. There just always seems to be something else more vital to be doing. That’s actually my biggest problem in finishing a story these days. Having to go and pry the kids apart when they are squabbling. Constantly being pestered for a “snack”, a “game”, a something, anything that might keep them happy for five minutes here and there. When it was just one child, I could put him to bed at night, and stay up late writing. Now, I always seem to fall asleep sitting up at 8:30, nearly every night. The nights I don’t fall asleep, I can’t seem to clear my head, and I end up reading.

I have several stories that I’ve already started. One is the one sitting in the previous post, and it’s just barely begun. I’ve already mentioned that I need to talk to my old classmates before I can really see it through. Another is set in India during the mid 1800’s. It’s sort of a romantic tale, but I really should gather up some historical data so I’m not writing something in the class of  harlequin tales. A third is another contemporary story, about a couple of sisters, and it’s fantasy, but I do need to get my world mythology out. The sequel to my finished book is stalled out; I think I’ll be able to go back to it if I can finish a few other things first. I haven’t been able to do a short story since college, really, because I start envisioning massive worlds, plots, and character development. I wonder how Tolkein ever managed to finish anything. I gather he was a bit like me, only much, much worse, because he almost got lost in Middle Earth permanently without relinquishing the manuscripts to his publishers first.

The worst details come after you finish your book, story, or whatever it is. You’re supposed to sit back, as an author, and take what you’ve created, compress it down, squish it into a small package, market it, sell yourself, and like it, because, of course, you want to get published. I have met only a few people who wrote purely for their own enjoyment. Everyone else, myself included, has this masochistic urge to put it into print, and pray that it sells enough copies to warrant the publisher wanting more from you. It’s masochistic, certainly, because it’s like re-entering the teenage years. I can’t actually decide which earned me more rejections. It was only after the fact that I woke up and realized that, possibly, some of the agents I had submitted to were, perhaps, thinking that I was trying to trade on my last name. I share a last name with a bestselling author, and I really wasn’t wanting to actually have that be my “trade” name. I decided to use Kate Gray as my nom de plume, but I guess I forgot to mention that to the potential agents. Well, no I didn’t, I just couldn’t decide how to bring it up in a query letter, and the books didn’t really tell me how, so I skipped it. The trouble might be that my last name isn’t exactly Smith or Jones. It’s more like if I’d been sending out letters saying, “Hi, my name is Kate Hemingway,” or Gaiman, Rowling, that sort of thing. It was hard enough sending out those letters anyway. I had no idea how to write a query letter. I still don’t, but I think I can try to take a class or something for that.

I’ve got to work on seeing my stuff through right now. That’s the detail that is the most devilsome right now. Not least of which is because my friend Andrea keeps asking for something new to read from me. Maybe that’s because I let her read my first book, which left her with a cliffhanger. She’s pretty pissed about that.

social sites and digging in the past

Posted in life in general, writers and writing with tags , , , on January 30, 2009 by erebusetnox

I joined myspace first, now I’ve all but stopped checking my page. Probably the best reason for this is the total lack of transparency with online identities. Some people were ok with letting you know who they are; it’s just hard to gauge anything via cyberspace. Plus, it seems to be a haven for college kids to cavort. Yeah, I probably would have been all over that if it’d been around when I was that age, but I’m not anymore. I’m a thirty-something married mother of two, not a coed looking for a hookup.
It was really great, therefore, to find that facebook had finally opened its virtual doors to anyone who wanted to network with fellow alums from high schools and colleges, as well as workplace colleagues. Like any internet site, it has its pitfalls for the careless user (like the young man who called in sick, posted that he’d faked an illness on his facebook page, and was subsequently fired after his boss checked said facebook page).
I’m personally finding that it’s therapeutic to get back in touch with friends I’d lost track of, but perhaps more importantly, with people that I’d had rocky relationships with all those years ago.

After I’d written a little bit about teen angst, more specifically my humiliating attempt to run away to New York City my freshman year of high school, I was told that I should compile all this angst, humiliation, and viscera into a young adult type book. A couple of months and one false start later, I’m feeling ready to turn that into reality. Now I’m sensing that my story, even if I divide all of what I have into several main characters, is going to be somewhat two-dimensional. It’s not the reason I’m getting back in touch with all these people I once knew, but I’m hoping that it might be an offshoot of this experience.

For instance, I know what was going on in my head as I experienced things like ostracism, an egging, bullying, and bad grades, but I have no way of knowing what was going on for anyone else. Like any writer knows, I too know that I’ll have to extrapolate on some fronts. I won’t be able to, or don’t really want to, stir all the muddied waters of the past. Some lions are best left sleeping, if you know what I mean.

What I’m hoping is that I can, through careful communication, get some insight to other folks’ viewpoints. What they went through, what they thought of the school, the teachers, things like that. I formed an opinion that many of the teachers at my middle school were not only turning a blind eye to bullying, but were, in fact, party to it, and in some cases, instigating it. I say this with some feeling because of how different my high school experience was, once I left my hometown and began commuting to another town’s high school program. It certainly had a rocky beginning, but ended much better than I could have hoped for, even with all the teenage baggage of unrequited crushes, inexperienced ennui, and general self-centeredness. Besides, going back and reminding ourselves of how flighty and hormonal we were is good practice for when our own children become these teenage creatures.

Here is an excerpt from the beginning:

Voice A

Tiny bits of broken mirror glare up at me from the worn carpet in my bedroom. I’m not even sure what I’m thinking right now, why I smashed it with a book, what once sat in a plastic case in my purse. I’ve given up on mirrors, really, that’s it. Except that those slivers of jagged glass now shimmer with a different purpose.

I pick up one smallish piece, turning it over in my fingers gently. Glass is one of those strange creations of man and nature; it can be so beautiful, be shaped into art, or objects of vanity, while retaining a deadly nature. Broken, it will cause harm. Of course, intact, it can also cause harm. What else are mirrors for but to show us all our flaws and miseries?

 

I broke this stupid thing with a purpose. I think, anyway, that I did. But as I sit sprawled out, thinking about it all, I’m not so sure. I can barely bring myself to scratch a welt with the shard, let alone lay myself open. I press the piece of glass between my fingers, hard, one last time, before letting it drop into the trash can. As for the rest of the mirror, I sweep it up with my homework papers and deposit it alongside the first piece.

 

Hot tears run down my cheeks, as I will myself to be quiet. I don’t want anyone to hear me, so I open the window and climb out onto the garage roof. It’s the one place I can just sort of pull myself together in. The broken mirror is now buried under tissues in the old tulip-shaped trash can, which throbs scarlet in my peripheral vision.

 

God, why am I so lame?!? I can’t do anything right, not even running away. Downstairs, the storm has passed, but I’m pretty sure that my parents are still talking. It’s only been a few hours since they brought me home. The first thing my father did was rip my telephone out of the wall. The next thing he did was look for drugs. There weren’t any, I don’t do that stuff, but I know why he did it. He and my mom were in college when drugs really hit, and he was the guy who took the od’s to the hospital. I just wish it hadn’t been what he’d assumed, even with what happened.

 

It probably wouldn’t look too good to have them walk in and find me sitting on the roof right now, though, so I climb back in, and ease the window shut. There is no peace right now, nothing to help me sort out the chaos in my head. My stomach is tight and sick feeling; I feel like I never want to eat again. It’s like a tornado slipped inside me, and is just tearing everything to pieces. All I wanted was to get away from the fear, and to start over. I guess I just picked the stupidest plan ever to accomplish it. Like I said, I’m lame. I was ready to run away to New York City, with about forty bucks to my name.

Over and again.

Posted in writers and writing with tags , , on January 29, 2009 by erebusetnox

This started off as a different kind of blog entirely, but I needed a writing blog, so I renamed it, and here we are. Politics stress me out anyway.

I anticipate blogging about writing, and possibly posting excerpts of what I’ve written here and there, with the hopes that folks may come and read, and leave a thought or two behind.

Writing came relatively late for me; I was in high school before anyone told me I had any sort of knack for it. The ball was set rolling in freshman english, when the teacher I had pushed me into honors english for the following year. I don’t know what he saw, precisely, but I’ve always been an avid reader (supposedly reading at a high school level in grade school). After that, I had a teacher who has been my lasting influence, both in what I read, and what I write. I had her both for sophomore honors and senior AP english. She allowed me to diverge away from rote paper-writing, and come up with formats that were unusual, to say the least. For a how-to paper we were supposed to write, I turned a casual treatise on first aid into a sci-fi piece, with a spiderlike alien reading, in horror, the practices that humans use to treat injuries and emergency illnesses. It ended with him (or was it, it?) running away from the learning session, and earned me an A+. This teacher gave me a nudge I’d never had, and while I languished through junior year’s honors english, knowing I’d have her again the next year inspired me to write an unassigned piece for our summer reading.

I should have asked her, maybe I still can, what about it made her cry as she read it to the class. They all probably thought I was just being a teacher’s pet, but what we’d read really had affected me. I can still remember: Johnny Got His Gun, Dalton Trumbo; All Quiet on the Western Front, Erich Maria Remarque; and Slaughterhouse Five, Kurt Vonnegut. I also knew that once we started school that fall, all my impressions of these novels would be washed away by my classmates’ musings. We’d have to do close readings, dissect every aspect of each work, and write papers examining some facet of all three. What I wrote was just my gut reaction to them: three very different perspectives of war.

And we did have to write papers. Ugh, my first draft only earned a C with her. She told me, essentially, that she couldn’t hear my voice in the paper. I remembered back to the how-to paper, and came up with a new plan. In its new form, my paper on the language of death in the three novels was refashioned into a play. I took the theater of the absurd style that we’d already studied before, and put the authors in as characters, fighting it out with each other to determine who had used his language most effectively. There were physical embodiments of the protagonist and the antagonist, and I think I even threw God in there for good measure. It was a little mortifying to once again find her handing out photocopies of it to everyone in the class, as she was also saying that she wanted to save it for future years. Sheesh. I just wanted a decent grade, and to see how far she’d let me go.

After that, in college, I tried to replicate my successes, without a heck of a lot of luck. College professors are notorious about rigidity in writing papers. They want all sorts of annotation, and just the damn facts. I should have done a creative writing minor, I guess. Instead, I was trying to be fancy in Latin, ancient history, that sort of thing. It didn’t work. Especially in the Roman History course. The professor and his TA’s were horrible, even when I tried to write well.

So, I turned my creative writing into something I did for myself only. I started a novel, which took me only about ten years to finish, and went through scads of rewrites, reimaginings, while everyone I had read it told me it was pretty decent. Well, that’s just me, I guess they may have liked it better than that. But it doesn’t matter at this point, because I don’t think that it’s going to be what I manage to get in print first.

I’ve written poetry as well, though not as much after my kids came along. It’s terrible, really, because I once imagined myself writing epic poems devoted to my children. Now I’m lucky if I can hammer out a blog once in a while and eke out a page or two a day.

I have a few beginnings that I work on, round robin style, hoping that one of them will just finish itself while I’m in the throes of working on it one day. That’s what happened with the book I finished, eventually. One night I wrote the final forty or fifty pages, and there it was. I didn’t even care at that moment that it was the middle of the night and that my son would be up, yodeling, at 6am promptly. It’s exhilirating when you can find the right vein or path to follow, almost like sliding down a hill made of ice, you’re terrified and thrilled all at once.

So, thank-you to Susan Haakonsen-Jorgensen, my high school english teacher. Even when you made me write about books I hated, you were starting something I can’t ever dream of stopping.

And thank-you to Susan Henderson over at www.litpark.com for being a gentle nudge in the here and now. Come to think of it, all the really neat people who keep me going are named Susan. Who knew?